Data, records and curiosities
The most famous lottery rigging in American history took a paintbrush, a television studio and eight people — and it was undone by the one thing the plotters could not disguise: the betting.
On the evening of 24 April 1980, the Pennsylvania Lottery's Daily Number — a three-digit game drawn live on television — produced 6-6-6. It was not chance. It remains the clearest documented case of a state lottery draw being physically rigged, and the mechanics are worth understanding precisely because they are so crude.
The Daily Number used three transparent machines, each blowing ping-pong balls numbered 0 to 9. Whichever ball rose into the tube gave one digit of the winning number. It is the same class of game as Pick 3: 1,000 possible outcomes, from 000 to 999.
The conspiracy did not try to control which ball came up. It made most of the balls unable to rise.
All the balls in the three machines, except those numbered 4 and 6, were injected with latex paint. The weighted balls were too heavy for the air jets to lift, so the draw was nearly certain to produce a combination of 4s and 6s — reducing 1,000 possible outcomes to eight: 444, 446, 464, 466, 644, 646, 664 and 666.
Eight outcomes rather than a thousand is a 125-fold improvement. Buy tickets on all eight, at a cost of eight units, and one of them is essentially guaranteed to pay 500-to-1. That is the whole scheme.
Seven men were charged, per the account in Wikipedia's article on the scandal:
| Name | Role |
|---|---|
| Nick Perry (1916–2003) | Host of the Daily Number on WTAE-TV; the organiser |
| Joseph Bock | WTAE art director; manufactured the weighted balls |
| Fred Luman | WTAE stagehand; physically switched the balls |
| Edward Plevel | Pennsylvania Lottery official; provided access to the machines |
| Jack and Peter Maragos | Perry's associates; organised the ticket purchases |
| William Moran | Organised out-of-state ticket buying |
The insider access is the striking part. The scheme required a broadcaster, a studio employee with hands on the equipment and a lottery official — precisely the combination that modern draw procedures are built to prevent.
Not through statistics. Through money.
The total payout on the 666 draw came to about $3.5 million, of which roughly $1.18 million went to the eight people connected to the plot. That volume of correct tickets on one number was conspicuous by itself, but the plotters compounded it: they had bought tickets across all eight of the 4-and-6 combinations, and had also placed the same eight combinations with illegal numbers-game operators. Bookmakers noticed a pattern that legitimate players do not produce.
An anonymous tip led investigators to a bar near Philadelphia where the Maragos brothers had bought tickets on those eight specific numbers. A pay-phone call made during the ticket purchases was traced to the WTAE-TV announcer's booth in the studio where the drawing was held — Perry's own workplace. The brothers confirmed the call had been with Perry, conducted in Greek.
This is the recurring lesson of lottery fraud. Manipulating a draw is the easy half; converting the manipulation into money without leaving a claim trail is the half that fails. It is exactly how Eddie Tipton was caught nearly four decades later — not by anyone detecting his tampered random number generator, but by tracing who tried to claim the ticket.
Nick Perry was convicted on 20 May 1981 of criminal conspiracy, criminal mischief, theft by deception, rigging a publicly exhibited contest and perjury. He was sentenced to seven years, serving two years at State Correctional Institution–Camp Hill plus a year in a halfway house, and remained on parole until March 1989.
Edward Plevel, the lottery official, received two years.
Bock, Luman and Moran pleaded guilty and received lighter sentences. The Maragos brothers avoided jail by testifying against Perry.
Perry attempted a return to broadcasting in the late 1980s and died in Attleboro, Massachusetts, on 22 April 2003, having never admitted any role in the plot.
Governor Dick Thornburgh ordered the drawings moved out of WTAE, relocating them to WHP-TV in Harrisburg on 29 June 1981. The Pennsylvania Lottery appointed a security chief and introduced mandatory background checks for everyone involved in the draws.
Those are the ancestors of the controls that now govern physical draws everywhere: multiple ball sets held in secure storage and selected at random before each draw, balls weighed and measured on a schedule, independent auditors present, the whole procedure recorded. The modern regime is described in what draw auditing actually involves and ball weight and machine bias testing — and the ball-weighing protocol exists in large part because of 24 April 1980.
The story was loosely adapted as the 2000 film Lucky Numbers, with John Travolta and Lisa Kudrow.
It proves physical draws can be rigged. Anyone claiming a televised draw is inherently trustworthy because it happens in public is contradicted by the fact that this one happened in public, on live television, and was rigged by the man presenting it.
It proves the vulnerability is people, not mathematics. No cryptography failed. Someone with studio access painted some ping-pong balls.
It does not support generalised suspicion. The scheme was detected within days, prosecuted within thirteen months, and produced structural reforms that persist. It is evidence that the control system works, not that it is absent. For the comparison between physical and software draws — each with a different attack surface — see physical draws vs software draws, and for the modern software equivalent of this attack, the Eddie Tipton hack.
The genuinely durable lesson is that the fix was found in the betting patterns, not the balls. Fraud that has to be cashed out is fraud that has to be traceable.
Last verified: 2026-08-29